In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving through a desert populated with imposing rock formations and bordered by miles of sky, the two Gerrys stop to see an unspecified "thing" which they are unable to find. The two young men then attempt to return to their car, but cannot find the pathway back. As they wander through the increasingly difficult desert terrain, their journey strains their friendship and becomes an exploration that is clearly about more than just finding the car.
After several commercial projects, GERRY is in some ways a return to roots for director Gus Van Sant. The motifs of moving clouds and the desert imagery may recall his early works--MY OWN PRIVATE IDAHO and EVEN COWGIRLS GET THE BLUES--but GERRY is even more ambitious than those revered projects. Highly influenced by Hungarian filmmaker Bela Tarr (WERCKMEISTER HARMONIES), the film uses minimal dialogue and long, languishing shots to achieve a meditative mood.
"With all its quirks, Gerry seeps into your pores like the wind-whipped sand that stings the faces of these disoriented hikers."
(What is this?)
"Though the film is shorter than two hours, it's so sluggishly paced and uninteresting that it feels as if it's actually several days long."
-- Jeff Vice, DESERET NEWS, SALT LAKE CITY
"Gerry proposes simplicity; even the most capsulated descriptions of it are dubious."
-- Rumsey Taylor, NOT COMING TO A THEATER NEAR YOU
"I found it an invigorating journey, less like viewing a typical film than taking in a silent movie or (at times) a series of barely-moving photographs."
-- David Sterritt, CHRISTIAN SCIENCE MONITOR
"In many ways, Gerry is a truly arresting work, a rebellion against the image explosion in the post-MTV world of filmmaking."
-- David Lee Simmons, GAMBIT WEEKLY (NEW ORLEANS, LA)
"Nothing special to show at the end for this existential trip to nowhere."
-- Dennis Schwartz, OZUS' WORLD MOVIE REVIEWS
"Think of Gerry more as an experience rather than a movie, a virtual vacation from the tired crash-and-chase pulse of status-quo cinema."
-- Anita Schmaltz, METRO TIMES (DETROIT, MI)
"Are these guys as smart as they sound or as dumb as they act?"
-- John J. Puccio, DVDTOWN.COM
"More so than Solaris, or even Dancer in the Dark, Gerry might be the most polarizing film to hit theatres in a long time."
-- Jon Popick, PLANET SICK-BOY
"Mesmerising, daring and defiantly leftfield."
-- Nev Pierce, BBC
"...there's no denying that Van Sant has crafted a film that's utterly unique."
-- David Nusair, REEL FILM REVIEWS